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Applying a filter adds a preset such as an 81 warm up or 80 blue while you can select any colour you like using the colour picker. Photo filters is a feature that many photographers have been crying out for. The cursor turns into a cross hair which I placed in the foreground and it's gradually blurred the picture into the distance. Here I added a black to white gradient as a mask and have blurred the photo using the mask. The lens blur option acts like a digital lens.
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It's painfully slow especially when working on images like my 15Mb test file, and this is on a PC with a 1Ghz processor! The main problem with this is processing speed. The process works on an alpha channel and by creating a gradient mask you can pin point focus to a certain plane in a landscape to throw the foreground and background out of focus. You then adjust the specular highlight control to make the catchlights white again. You apply the adjustment to an area that you want to blur and it acts like a depth of field control. These are attached to sliders where you adjust the size of the aperture, the number of blades and the curve of the blades. It has all the familiar words associated with lenses such as Iris, specular highlights, blade curvature and focal distance. Lens blur This feature takes the blur filter to a new level. Again it works fast and easy to match colors based on layers or base images.īy adjusting the Luminance, Color Intensity and Fade you can match pasted layers with the color and brightness of their new background. This will also be ideal for people who shoot panoramas who want a natural colour transition from one frame to the next. It also works when copying and pasting elements from one picture to another. Open both select the target and destination and then adjust the sliders until it's as close as you want. You may have a portrait taken with flash and want to combine another of someone taken in sunlight. Match Color is another superb feature which will suit anyone who struggles to make two pictures that they may be combining look similar in terms of color. The Shadow/Highlight adjustment is like having fill-in flash without the battery drain! I tried it on several tricky photographs and it handled all with ease. It's much easier to use than either levels and curves and produces impressive results. Simply work on the shadow areas first and then adjust the highlights to balance the picture. It has a set of sliders for shadows and highlights which you adjust until the balance of tones is correct. It's the most advanced tonal editing option to come out of Adobe yet and makes adjusting pictures much easier. Without doubt the star of the Photoshop CS show is this new feature that sits under the Adjustments menu. Let's now look at each in more detail and in my order of preference: I will assume you are familiar with or have read reviews of Photoshop 7 so will just look at the new features. I have been part of the Beta testing team for the program over the last few months and following the official announcement I can now let you know my views of the program based on beta version x106, the last before the official release.
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These include ImageReady CS that comes with Photoshop CS plus Adobe Illustrator CS, Adobe InDesign CS, Adobe GoLive CS, and Adobe Acrobat 6.0. It's part of a package of programs designed to let professionals be creative. Now what would have been version 8.0 we have the letters CS which stands for Creative Suite. Gone is the version number as part of the title. Adobe have made a radical change to their Photoshop program.